Part 1:
Aims and
Context
‘Within the Smoke’ – a film/video production-
A psychological thriller short film.
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Target audience of 12-year-old and above,
knowledgeable about either art or film.
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Apply cinematography techniques developed for thriller/horror: neutral or low-key
lighting etc.
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Use of layers to add affect.
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No group; worked as director/camera operator/editor(including
sound)
Part 2:
Film Sequence
Part 3:
Reflective
Analysis - Within the Smoke:
My aim was to create a short film revolving around the genre
of psychological thriller through the idea of a hallucination “gone wrong”. I
feel I included the conventions associated with thriller/horror; I included my
character screaming, as well as what would be considered the antagonist (the
“demon”), whilst others may have been lost as I progressed.
The stylistic techniques I have used results in both positive
and negative effects cast upon my final piece. The lack of diegetic sound was
due to my hope to convey tension and emotion through non-diegetic music; the
song I have used had a beat to it that I have decided to repeat throughout the
short film, whilst other sections that help convey emotion and suspense have
been isolated and layered carefully on top. Though this is effective, it is my
personal preference to have created a rhythm and beat that would have been more
suited to the genre and the story.
My shots were varied between handheld and tripod and this is
easily discernible by looking at how some of the shots were unsteady. In some
shots, the unsteadiness of the camera makes it appear as though something is
watching the Girl in the shadows, foreshadowing the danger that she cannot
escape from, the reason behind her hallucination. Lighting is also important in
the film. Following the convention of thriller/horror, the beginning and the
ending are both set indoors, where it’s possible to control the level of
lighting, and are filmed in low-key lighting, the candle and match being the
main source of light. However, the rest of it was set outdoors where the
lighting cannot be controlled, something that would have been preferable.
Most of my plot stayed true to my original ideas. By starting
the film in a darkened room with limited light, it immediately sets the scene
and mood, particularly when the hallucination is triggered. When the shot fades
out to the next setting where the Girl “wakes up”, it lulls the audience into a
false sense of security, being that she has the freedom she craved for.
However, this quickly changes, particularly when the shot changes to indoors of
the Girl screaming briefly. This immediately foreshadows the horror she is
about to enter. Following this, the Girl proceeds to investigate her
surroundings, before she is alerted to the presence of another being; the
“demon” is shown standing still at a distance – the Girl then runs. The shots
then begin alternating between the Girl running, screaming, shaking her head
and the “demon” which is steadily getting closer, symbolising that it is
closing in the Girl. The outdoor shots conclude with the Girl crouching on the
ground in an attempt to hide whilst the “demon”, which is hidden behind the
camera, creeps up behind her and reaches out to grab her. The screen goes black
as the shot fades back into the indoor setting; the Girl blows out the candle,
turning the screen black and indicating the end of the film. I would have
preferred to have a greater number of shots in which to express my ideas
better, and would have also used a larger and drier area for the exterior
shots.
The reason why there are two different settings, indoor and
outdoor, is because of how they reflect the characters state of mind: the
indoor shots are in limited lighting and enclosed, indicating that in reality
she is in a place where everything in her life is depressing and has dark
thoughts. However, the outdoor setting is light, airy and spacious, indicating
the freedom she feels from being in this fantasy. This idea is also reflected
in the clothing and the make-up; however, both outfits have red indicating the
danger that will occur. The danger is
represented in the form of a “demon”, of which there are four shots in each of
which the “demon” is stationed closer and closer to the camera which remains
still: this is the indication of the danger getting closer and closer. The
“demon” itself is reality that is following her, indicating that she cannot
escape it for long in this fantasy.
My target audience is from 12 and above, and is mostly
targeted at film or art students for the symbolism of the film. However, I feel
that, now it is complete, it may not interest those of that age range and
instead be viewed by an older group, depending upon their opinions of it.
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